‘But can you? You don’t know Melusine for Mary Remenham’s daughter, any more than I do. His ideas about girls and women were of a sentimental and modest quality; they were creatures, he thought, either too bad for a modern vocabulary, and then frequently most undesirably desirable, or too pure and good for life. You feel that that smile is for you, the words are for you, the whole song is for you.
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