‘The gatehouse? But why must you move him at all?’ ‘Listen, missie. He was the beachcomber, or the old sailor with the black pearl (Ruth's tales), or the wastrel musician McClintock had described to him. ‘Assuming she can prove her identity, does Remenham House belong to her?’ Mrs Sindlesham shifted her shoulders. The cloth was removed, and Wood, drawing the table as near the window as possible—for it was getting dusk —put on his spectacles, and opened that sacred volume from which the best consolation in affliction is derived, and left the lovers—for such they may now be fairly termed—to their own conversation.
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