Ann Veronica had come to the Imperial College obsessed by the great figure of Russell, by the part he had played in the Darwinian controversies, and by the resolute effect of the grim-lipped, yellow, leonine face beneath the mane of silvery hair. Her long incarceration at the convent in Blaye had taught her to be dismissive of her own appearance. Ann Veronica was carried off her intellectual and critical feet by it altogether, and applauded and uttered cries that subsequent reflection failed to endorse. The rest were hieroglyphic characters, executed in red chalk and charcoal.
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