She slipped out the window, jumping to the ground from the second story with very little sound. The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view. Nearly all the individual works in the collection are in the public domain in the United States.
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