‘Not from the nuns, no. Spurling has induced him to sit down again. But I'd a mind to try whether you really loved him as much as you pretended. The sounds that reach the ear, and the objects that meet the eye, are all calculated to awaken a train of sad and serious contemplation. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. It is not possible for us to be on friendly terms with a young man who has been seen in a public place, having supper alone with your sister after midnight. ’ ‘What?’ gasped Alderley in shock. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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