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The first circumstance that struck her on her arrival seemed ominous. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. For ten years I've been trying to go home, but my conscience will not permit me, I hate the Orient.
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