Give me this picture. Ill-drawn, without method or sense of proportion, you have put wonderful things on to canvas, have drawn them out of yourself, notwithstanding your mechanical inefficiency. Inexplicably there flashed into vision the Chinese wedding procession in the narrow, twisted streets of the city, that first day: the gorgeous palanquin, the tomtoms, the weird music, the ribald, jeering mob that trailed along behind. She hesitated about her name, and, being prompted, gave it at last as Ann Veronica Smith, 107A, Chancery Lane. Covered with houses, from one end to the other, this reverend and picturesque structure presented the appearance of a street across the Thames. “I mean to go to that dance! I meant to reason with you, but you won’t reason. The manager, however, who stood in the wings, nodded to her to proceed, and the orchestra commenced the first few bars of the music. “Oh, Ann Veronica!” he cried, “I cannot let you go like this! You don’t understand. You are not with the Kent militia, are you?’ ‘West Kent, yes. They were the same. If I offered you half of my possessions, you'd doubtless wallop me on the jaw. I cannot work, I cannot teach. You know very well that you took from my easel David Courtlaw’s study of me, and sent it to Cariolus.
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